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Sankofa Film and Video Collective
Sankofa Film and Video Collective was founded in 1983 by Isaac Julien, Martina Attille,〔Andrea D. Barnwell, ("Attille, Martina" ), in Alison Donnell (ed.), ''Companion to Contemporary Black British Culture'', Routledge, 2002, pp. 21-22.〕 Maureen Blackwood,〔Carol Brennan, ("Blackwood, Maureen 1960–" ), Contemporary Black Biography. 2003. Encyclopedia.com; accessed 22 February 2015.〕 Nadine Marsh-Edwards〔("Nadine Marsh-Edwards" ), BFI, Film Forever.〕 and Robert Crusz, who all graduated from various art colleges in London.〔Ann Ogidi, ("Sankofa Film and Video" ), BFI Screenonline.〕 Supported by the Greater London Council, the British Film Institute and Channel 4, among others, Sankofa was "dedicated to developing an independent black film culture in the areas of production, exhibition and audience".〔Annette Kuhn, ("Julien, Isaac (1960-)" ), BFI Screenonline.〕 The name and the logo of the collective derive from the Akan word ''sankofa'' from Ghana, meaning "return and fetch it", represented figuratively as a bird turning its head back towards its tail, to signify "going back into the past and discovering knowledge that will be of benefit to the people in the future."〔
==Background==
The formation of Sankofa Film and Video Collective, like that of the Black Audio Film Collective, was a response to the social unrest in Britain in the 1980s: "Influenced by contemporary debate on post-colonialism and social theorists such as Homi Bhabha and Stuart Hall, both groups centered around investigations of black identity/culture within the British experience and reworked the documentary to articulate new voices in British cinema."〔("Black Audio & Sankofa Film Collectives" ), Cinema Project.〕
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